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Sara Driver: For Real

In Film, The Entree., The Menu., Visual Arts. by Jennifer Parker1 Comment

Sara Driver is one of the most relevant and underappreciated filmmakers of a generation. Take Boom For Real: The Late Teenage Years of Jean-Michel Basquiat, her documentary piecing together the life of an artist and friend before he became famous. Driver who has witnessed decay and regrowth in New York City since being a grad student at NYU circa Jim …

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Tribeca: It Wasn’t only a Film Festival

In The Menu., Visual Arts. by Jennifer ParkerLeave a Comment

Driver Ed (the first three episodes now streaming on Vimeo – less than a ten-minute commitment) is a woke variation on witty web programming in the age of content overload. Ed is an all but agoraphobic introvert borderline recluse who has been in an online relationship for two years with the girl of his dreams who he’s about to meet …

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Tribeca Film Festival: Docs to Watch

In Film, The Menu. by Jennifer ParkerLeave a Comment

Tribeca is probably one of the most curated film festivals in the best of ways for everyone but cinephiles who have to make a decision about how to be two places at once. For documentary junkies, you might as well put a blindfold on, spin around three times and pin a tail on the schedule. There are too many stand-outs …

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Don’t Pass Over Pass Over

In Film, The Menu. by Jennifer ParkerLeave a Comment

What do you get when you combine Waiting for Godot, current American race issues, and Biblical lore into a narrative that’s at times hilarious, suspenseful and quirky? You get Antoinette Nwandu’s Pass Over, produced in 2017 by Chicago’s Steppenwolf Theatre and directed by Spike Lee. The direction delivers the intensity of Nwandu’s play—given life by actors Julian Parker and Jon …

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Top SXSW Docs: The Cook, a Music Icon, his DJ and Six Documentaries

In Film, Music. by Jennifer ParkerLeave a Comment

Some SXSW Highlights The 2018 Tribeca Film Festival is a few weeks away from beginning on April 18 with a slate of over 550 films and talks to navigate and expected attendance over 150K people.  It follows a hiccup after South by Southwest. SXSW or as actor/comedian Nick Offerman calls it, sexswa is a conference, exhibition and interactive, film, music and …

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The Case for The Neurotic Quest for Serenity

In Film, The Menu. by Jennifer ParkerLeave a Comment

Imagine you’re a “medium-pretty” actress who is always worried about losing her role to another actress, not hard, right? Turn that worry into a full-blown, post-apocalyptic, Mad Max- like reoccurring nightmare complete with costumes and stunt people and you begin to understand the depth of Kika’s anxiety. In her non-dream life, she is being stalked by a super-fan, Filipão. She’s …

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Leaning into the Wind

In Film, The Entree., The Menu. by Jennifer ParkerLeave a Comment

There are more than a few ways to go about making a documentary about an artist. There’s the dead artist documentary, the living artist documentary and what he (and maybe every once in a while, she) has done thus far with his life—either pre-success or post and then there’s the slice-of-life look. The beauty of the latter is that context …

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Vieno James | Artist of the Black Sun

In Visual Arts. by Jennifer ParkerLeave a Comment

New York-based artist Vieno James exudes a raw sensuality that mirrors the art he makes and the materials he utilizes in his work. Juxtaposing stucco framing against the silks and other fabrics Vieno procured from his travels to Italy, Kuwait, and Egypt, he blurs the line between painting and sculpture. There’s a calmness, physicality, and hint of theater to James’ …

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The Party, Not So Black and White | Film Review

In Film, The Menu. by Jennifer ParkerLeave a Comment

Unpack this: You do look slightly ministerial in that pinny—in a 21st century, post-modern, post, post, feminist sort of way. Says Patricia Clarkson’s character, April to her BFF, Janet, albeit the woman who is about to prove that you can still get your ephemeral feelings in a world of hurt when you find out that your husband has been keeping secrets …

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The Big Picture | Faces Places (Review)

In Crumbs, Film, Visual Arts. by Jennifer ParkerLeave a Comment

Faces Places is the little documentary that could. Nominated for an Academy Award for Best Documentary Feature, the filmmakers transform the quotidian into objects of fascination. There’s an inherent narcissism about making a film about the process of making art yet the subjects are so lacking in ego yet charming that it’s a delight to watch. JR and Agnès Varda …

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I, Tonya, Indie Film …..Big Love

In Crumbs, Visual Arts. by Jennifer ParkerLeave a Comment

Any movie that leads with the title card, “Based on irony-free, wildly contradictory, totally true interviews with Tonya Harding and Jeff Gillooly” has me at irony-free. I, Tonya is a satire both uninhibited and direct, a club and a shotgun. The film tickles the collective American memory of the biggest 90s tabloid story pre-OJ and delights rather than disgusts us …

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I’m Afraid of Dying.

In Crumbs by Jennifer ParkerLeave a Comment

I’m afraid of dying I’m afraid of living too long I’m afraid of getting cancer I’m afraid of heights ladders balconies ledges fire escapes bridges scaffolding (except the metaphorical kind) and long escalators (in both directions) I’m afraid of flying but fly all the time I’m afraid of needles I’m afraid of being in a car accident a plane crash …